Jean-Michel Basquiat Basic Art Series
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From the streets of New York to the walls of its most prominent galleries, follow the short, prolific, and politicized career of Jean-Michel Basquiat, a cult figure of artistic social commentary. This introduction explores how the young trailblazer drew from inspirations as varied as Greek, Roman, and African art, along with French poetry and jazz, to create visceral images mixing word with bold color.
Brilliant Basquiat
The ’80s art star who put poverty, power, and racism on the wall
An icon of 1980s New York, Jean-Michel Basquiat (1960–1988) first made his name under the graffiti tag “SAMO”, before establishing his studio practice and catapulting to fast fame at the age of 20. Although his career lasted barely a decade, he remains a cult figure of artistic social commentary, and a trailblazer in the mediation of graffiti and gallery art.
Basquiat’s work drew upon diverse sources and media to create an original and urgent artistic vocabulary, biting with critique against structures of power and racism. His practice merged abstraction and figuration, poetry and painting, while his influences spanned Greek, Roman, and African art, French poetry, jazz, and the work of artistic contemporaries such as Andy Warhol and Cy Twombly. The results are vivid, visceral mixtures of words, African emblems, cartoonish figures, daubs of bold color, and beyond.
This book presents Basquiat’s short but prolific career, his unique style, and his profound engagement with ever-relevant issues of integration and segregation, poverty and wealth.
Basquiat’s work drew upon diverse sources and media to create an original and urgent artistic vocabulary, biting with critique against structures of power and racism. His practice merged abstraction and figuration, poetry and painting, while his influences spanned Greek, Roman, and African art, French poetry, jazz, and the work of artistic contemporaries such as Andy Warhol and Cy Twombly. The results are vivid, visceral mixtures of words, African emblems, cartoonish figures, daubs of bold color, and beyond.
This book presents Basquiat’s short but prolific career, his unique style, and his profound engagement with ever-relevant issues of integration and segregation, poverty and wealth.
The author
Leonhard Emmerling received his doctorate from the University of Heidelberg for a thesis titled “Jean Dubuffet’s Art Theory.” He is head of the South Asia regional program at the Goethe-Institute in New Delhi and was previously active as a curator at various art institutions in Germany. His publications include TASCHEN’s Jean-Michel Basquiat and Jackson Pollock.
Basquiat
Hardcover, 8.3 x 10.2 in., 1.35 lb, 96 pagesISBN 978-3-8365-5979-9
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